Дипломная работа

от 20 дней
от 9999 рублей


Курсовая работа

от 10 дней
от 1999 рублей



от 3 дней
от 699 рублей


Контрольная работа

от 3 дней
от 99 рублей
за задачу



Сроки и стоимость индивидуальные


Главная - Литература зарубежная - Means of creating tension in the English Gothic short stories

Means of creating tension in the English Gothic short stories Литература зарубежная. Дипломная

  • Тема: Means of creating tension in the English Gothic short stories
  • Автор: Татьяна
  • Тип работы: Дипломная
  • Предмет: Литература зарубежная
  • Страниц: 61
  • Год сдачи: 2010
  • ВУЗ, город: ЧГПУ им. И.Я. Яковлева
  • Цена(руб.): 3000 рублей

Заказать персональную работу



The short story, like the stage
has its conventions
Anton Chekhov

From the 18th century to the present days, Gothic fiction has fascinated and terrified.
Gothic as a genre has recently experienced a sharp rise in literary prestige, due largely, though not exclusively, to feminism nowadays. Yet most commentators also agree that Gothic fiction is melodramatic, repetitive, implausible, incoherent, and full of clichés. This genre is not that critics of the Gothic fiction do not talk about aesthetic questions but rather that they highlight different aspects of aesthetic response.
We suppose each author integrates Gothic conventions into postmodern narratives that are distinct in style and approach. Beneath its trappings of ghosts, monsters, and psychopaths, quality Gothic fiction asks important philosophical questions about human nature. It can be an invaluable aesthetic tool for helping teens develop their own moral compasses. Themes of murder, incest, and dark sexuality can help young people understand the whole spectrum of human behavior. After all, the work of horror is not interested in the civilized furniture of our livesour socially acceptable and pleasantly enlightened character as Stephen King has suggested. But it is interested in all of those things that are not talked about in school or at the dinner tablethose very aspects of life that so many teens are desperately struggling to understand. And what better type of reading for them than books that they perceive to be appalling to those in authority: parents, teachers, and librarians.
The Gothic is a key genre in the retrieval of an alternative history of aesthetic experience. The power of Gothic lies in its unsettling



1.1.The Interpretation of the Terms Gothic and Gothic Fiction. 7
1.2.The Gothic Evolution in Literature. 13
1.2.1. The First Wave of Gothic Novels: 1765-1820. 13
1.2.2. Gothic Fiction in the Nineteenth Century. 15
1.2.3. Modern Gothic. 16
2.1. The Short Story as a Phenomenon of the Gothic Fiction. 20
2.2. The Features of the Gothic Short Story. 23
2.2.1. Language. 23
2.2.2. Imagery and Setting. 25
2.2.3. Characters. 27
3.1.Features of Setting. 31
3.2. Typically Gothic Characters. 39
3.3. The Semantic field of the Short Stories. 45



1. Blair, D. Gothic Short Stories. Wordsworth Editions, 2002. 244 p.
2. Botting, F. Gothic. CRC Press, 1996. 201 p.
3. Botting, F., Townshend, D. Gothic : Nineteenth-Century Gothic : at Home with the Vampire. Taylor & Francis, 2004. 346 p.
4. Burke, E. The Works of the Right Honorable Edmund Burke. V. 1. BiblioBazzar, LLC, 2008. 524 p.
5. Cuddon, J., A., Preston, C. A Dictionary of Literary Terms and Literary Theory. Wiley-Blackwell, 1998. 991 p.
6. Day, W., P. In the Circles of Fear and Desire : A Study of Gothic Fantasy. Chicago and London, 1985. 208 p.
7. Feuerverger, G. Teaching, learning, and other miracles. Sense Publishers, 2007. 176 p.
8. Foucault, M., Bouchard, D., F. Language, Counter-Memory, Practice : Selected Essays and Interviews. Cornell University Press, 1980. 240 p.
9. Gamer, M. Gothic Fiction and Romantic Writing in Britain./Hogle, J., E. The Cambridge Companion to the Gothic Fiction. New York: Cambridge University Press, 2007. 327 p.
10. Garrett, P., K. Gothic Reflections : Narrative Force in Nineteenth-Century Fiction. Cornell University Press, 2003. 232 p.
11. Geary, R., F. The Supernatural in Gothic Fiction: Horror, Belief, and Literary Change. Edwin Mellen Press, 1992. 151 p.
12. Harrington, E., Abadie, A., J. Faulkner and the Short Story: Faulkner and Yoknapatawpha, 1990. University Press of Mississippi, 1992. 293 p.
13. Heather, P. The Goths. Wiley-Blackwell, 1998. 376 p.
14. Hogle, J., E. The Cambridge Companion to the Gothic Fiction. New York: Cambridge University Press, 2007. 327 p.
15. Holcroft, Th. Anna St Ives. BiblioBazaar, LLC, 2008. 552 p.
16. Kiely, R. The Romantic Novel in England. Harvard University Press, 1972. 275 p.
17. King, N., King, S. Dictionary of Literature in English. Taylor & Francis, 2002. 189 p.
18. King, S. Stephen Kings Danse Macabre. Berkley Books, 2002. 400 p.
19. Le Fanu, J., Sh. The Familiar. Kessinger Publishing, 2004. 48 p.
20. Lewis, M., G. The Monk. Oxford University Press US, 2002. 442 p.
21. Lohafer, S., Clarey, J., E. Short Story Theory at a Crossroads. Louisiana State University Press, 1989. 352 p.
22. May, Ch., E. The New Short Story Theories. Ohio University Press, 1994. 337 p.
23. Merriam-Websters Collegiate Dictionary. Merriam Webster, 2003. 1663 p.
24. Miles, R. The Effulgence of Gothic/Hogle, J., E. The Cambridge Companion to Gothic Fiction. Cambridge: Cambridge University Press, 2002. 327 p.
25. Morley, J. Burke. READ BOOKS, 2007. 332 p.
26. Nagel, J. The Contemporary American Short-Story Cycle: the Ethnic Resonance of Genre. LSU Press, 2004. 297 p.
27. Paine, T. Rights of Man. Courier Dover Publications, 1999. 256 p.
28. Polidori, J. Horace Walpole and The Castle of Otranto/ Walpole, H., Beckford, W., Bleiler, E., F., Polidori, J. Three Gothic Novels. Courier Dover Publications, 1966. 331 p.
29. Reddin, Ch., P. Forms of Evil in the Gothic Novel. Ayer Publishing, 1980. 308 p.
30. Russ, J. To Write Like a Woman : Essays in Feminism and Science Fiction. Indiana University Press, 1995. 181 p.
31. Sage, V., Smoth, A., L. Modern Gothic : a Reader. Manchester United Press ND, 1996. 202 p.
32. Saliba, D., R. A Psychology of Fear : The Nightmare Formula of Edgar Allan Poe. Lantham, MD: University Press of America, 1980. 267 p.
33. Schweitzer, D. Discovering Modern Horror Fiction. Wildside Press LLC, 1988. 176 p.
34. Turco, L. The Book of Literary Terms : the Genres of Fiction, Drama, Nonfiction, Literary Criticism, and Scholarship. UPNE, 1999. 224 p.
35. Winther, P., Lothe, J., Skey, H., H. The Art of Brevity: Excursions in Short Fiction Theory and Analysis. University of South Carolina Press, 2004. 212 p.
36. Wollstonecraft, M., Macdonald, D., L., Scherf, K., D. A Vindication of the Rights of Men. Broadview Press, 1997. 488 p.
37. Wollstonecraft, Sh., M. Mathilda: Easyread Super Large 20pt Edition. ReadHowYouWant, com, 2007. 296 p.

Форма заказа

Заполните, пожалуйста, форму заказа, чтобы менеджер смог оценить вашу работу и сообщил вам цену и сроки. Все ваши контактные данные будут использованы только для связи с вами, и не будут переданы третьим лицам.

Тип работы *
Предмет *
Название *
Дата Сдачи *
Количество Листов*
уточните задание
Ваши Пожелания
Загрузить Файлы

загрузить еще одно дополнение
Ваше имя *
Эл. Почта *
Телефон *

Название Тип Год сдачи Страниц Цена
Художественная специфика 21-го сонета У. Шекспира и ее отражение в русских переводах Дипломная 2010 52 2000
Гендерный аспект этнокультурных сходств и различий в межкультурной коммуникации(на материалах романа Э. Хемингуэя «По ком звонит колокол») Дипломная 2011 72 3500
Особенности современных представлений о лингвистической гендерологии Дипломная 2011 51 3000
курсовые, дипломные, контрольные на заказ скидки на курсовые, дипломные, контрольные на заказ

© 2010-2016, Все права защищены. Принимаем заказы по всей России.